What do illustrators most need to make their portfolios stand out in today's children's publishing market?
May 24 Guest Group Critique with Nicole Tugeau!
In an exciting but highly competitive 2016 children's publishing market illustrators need to consider taking one more step to make their portfolios compelling for art directors and editors, suggests literary agent Nicole Tugeau of Tugeau2 Inc.
"We've seen this market only get more and more saturated," she says in the above video.
"Ten years ago – even five years ago – you used to be able, as an individual unrepresented artist to go into New York City, submit your portfolio to a design team or an art director in the morning and pick it up three hours later with comments or post-it notes on it or a 'thanks, but no thanks' card.
"But you knew you would have eyes on that portfolio.
"What I've found in the past few years is...portfolios alone, sometimes, are not enough," she says. "Even the best portfolio, unless you are dangling a little bit more or sweetening the pot a little bit more, may not be enough..."
Watch our visit with her (above) to find out what she feels to be the needed – but often missing – ingredient in artists' portfolios and mailings.
May 2 – Deadline for your sketch!
The 'missing piece' will be the focus of next month's Guest Group Critique, when Nicole reviews 15 final, full color illustrations that she's assigned from the May sketch submissions.
After the May 2 sketch submission deadline, we'll announce Nicole's pick of 15 sketches she'd like to see brought to final art stage.
And we'll join her live on May 24 when she critiques the results. She'll also be available to answer your questions about the children's publishing art market and how to maximize your opportunities there.
Monthly group critiques are 'perfect practice'
They tell you...
What isn't working
When to push harder
When to just stop
And help you to...
Get a fresh perspective
Our guest critiquers – illustrators, author-illustrators, children’s literary agents, art directors, maybe an editor or two – examine your final in a spirit of teaching and mentoring.
Think more like a pro
Watch up close and personal how full-time creatives evaluate and troubleshoot their own and others’ pieces.
Prepare for that thing
That upcoming kidlit (or illustrators’) conference, important promotional mailing, post or sit-down with a client.
Sharpen your discernment powers
Remind you of those bedrock principles of draftsmanship, design and communication. (Funny how they keep bringing you back to those.)
Meet your tribe
Your colleagues and the expert practioners. Who share their What I Wish I Knew Then stories and become your contacts in ‘the biz.’ (It’s called networking.)
Get better at getting better
Practice with critiques helps you understand the hierarchy of feedback and how to navigate it wisely – knowing what’s valid for you now, vs. what to set aside for later.
Click on the photos to see their websites!